Sigurd Towrie, author of the comprehensive website covering all things Orkney, disagrees with this assessment. He believes there may be a connection with a different creature from Norse mythology, the Draugr. This connection stems from both creatures’ affiliation with burial mounds.
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In his book, The Mermaid Bride and Other Orkney Folk Tales, storyteller Tom Muir admits that even he can’t suss it out.
He says “In Orkney the word [Trow] has been mixed up with the fairy, so it is hard to say if we are dealing with one or more type of creature. In the text of this book I have used the name given by the person who told the story” (Muir, xi). This highlights the huge discrepancy between contemporary and previous conceptions of Fairies. Most people today would not identify a “trollish” creature as either a fairy or a hideous undead grave-haunting monster! Our cultural conception of fairies does not overlap with, say… zombies for example. |
Often the level of kindness or helpfulness of the spirit to the human depended on the human’s actions toward the spirit world and/or nature. A human who transgressed upon nature in a way that was deemed disrespectful would incur the ire of the protective spirits of that place.
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However, with Christianization came the new concept of polarity. Rather than a continuum, wherein both humans and spirits could range from various levels of good and bad, the new worldview was black and white; angels being good, demons being bad.
If one reads a lot of post-conversion folklore, we find that Christian imagery is often laid down directly over pre-Christian myth. Therefore, we find that trolls, giants, elves, and all manner of supernatural creatures are equated with demons and frightened off by scripture, the sign of the cross, the presence of a Bible, etc. (Read more about frightening fairies in Ten Reasons Fairies are Scary). |
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Trows wreaked all manner of havoc on humans, and could be responsible for taking the lives of children, women in childbirth, and entire herds of livestock. The term “elf-shot” was used by Anglo-Saxons on the British mainland to refer to an illness that could not be explained. It was assumed that whoever fell ill had been shot with an Elf’s arrow. Strangely enough, the same term was used in Orkney. However, in Orkney the Trows were the culprits shooting the Elf arrows.
A Changeling was often a sickly infant or child. Conditions that were not medically understood such as downs syndrome or mental retardation could be attributed to the child being a Changeling. The idea was that the real child, the healthy one, had been kidnapped by Trows who left their own sickly child in its place.
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Yet, they also engaged in activities shared by more fanciful creatures known to the folklore of nearby cultures. Like Irish Leprechauns, Trows were known to have a passion for music.
Stories are told of Orcadian musicians being whisked away to play their music for the Trows in the mounds. Often these musicians returned with strange new melodies that were enchanting and otherworldly to the human ear. But, sometimes, these musicians could be caught up in the dancing and revelry of the Trowie world. What seemed like a few hours in Trow-land translated into many years when they returned to the human world. Sometimes the unfortunate musician might return to find nearly all his friends and family had grown old or passed away, while he had not aged one day. |
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Ernest W. Marwick was a leading scholar and author on Orkney folklore. He wrote, quite literally, the definitive works on Orkney.
His “An Orkney Folklore” was released in two volumes and encompasses only a selection of his full writings on Orkney. Marwick asserts that Trows do, indeed, stem from Norse Trolls. Marwick believes that the immensely sized Trolls and Giants of Norse lore were scaled down to fit within the confines of the island community. In other words, the Troll evolved into the Trow due to his new environment. |
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After reading Marwick’s writings in addition to Sigurd Towrie’s, my own conclusion is that they both must be correct.
There are certainly elements of the Troll andthe Draugr in the Orkney Trow; as well as the Fairy, the Elf, the Leprechaun, the Giant, and probably other fairytale creatures. Perhaps Marwick’s theory that the island environment was too limited in space for large scale creatures of legend to survive in the imagination of the islanders is correct. With less land mass, perhaps the local folklore could not make sense of the plethora of fairytale creatures that existed in the wide spaces and diverse topography of larger environments. So, maybe the many legendary creatures of their ancestors were merged into the singular creature the Orcadians call the Trow. |
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Marwick, Ernest W. An Orkney Anthology; Selected Works, Volume One. Edinburgh: Scottish Academic Press, 1991. Print.
Marwick, Ernest W. The Folklore of Orkney and Shetland. London: B.T. Batsford Ltd, 1975. Print.
Muir, Tom. The Mermaid Bride and Other Orkney Folk Tales. Kirkwall, Orkney: Kirkwall Press, 1998. Print.
Towrie, Sigurd. Orkneyjar.com.
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My name is Carolyn Emerick, and I write on the history, myth, and folklore of Northwestern Europe.
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